Translated by Jack Lindsay with illustrations by Norman Lindsay. Printed at the Chiswick press. Folio. Original three quarters blue leather over blue gilt stamped cloth. Numbered Limited Edition - number 257 of 500 copies, SIGNED by Jack Lindsay. The book is bright and fresh. The front and back boards are clean, showing rubbing and scuffing to the upper and lower edges. The lettering and design on the front board are bright and bold. The spine is clean - the book has been professionally rebacked with the original spine laid on. The pages are very clean and are without foxing. The closed page edges are slightly toned. The binding is tight - no cracked hinges ( the front and back board hinges have been reinforced ) and no loose pages. There are no previous ownership inscriptions. A handsome copy.
Publisher: Fanfrolico Press, 1929
Condition: Fine. Wrapper: No Jacket
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One of 35 copies - this being copy22. Printed in 18-point Corvinus light type and on a parchment paper by Batchelor. Additionally INSCRIBED by H E Bates. This copy is quarter bound in brown leather over paper-patterned boards. A Very Good + copy, showing toning to the boards and gentle rubbing to the board edges. The spine has been professionally and sympathetically rebacked in brown leather - the original spine has been laid on. No foxing. No spotting. Bright, clean pages and closed page edges. New endapapers. Solid, tight binding. SIGNED to the limitation page by H E Bates and additionally INSCRIBED by Bates to the FFEP. The inscription reads : Dear Josephine, I hope you will like this book. It is very rare too ! Yours ever, H E Bates. Uncommon. Paypl accepted.
Publisher: Corvinus Press, 1939
Condition: Very Good +. Wrapper: No Jacket ( as Issued )
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Linen-backed pictorial boards. 12 colour lithographed plates after William Nicholson. A UK first edition, first impression. A very good + book - complete and internally very bright. The illustrated boards are rubbed ( as ever) to the edges and show light soiling. The pages and closed pages are exceptionally clean. New endpapers. Tight binding. No previous ownership inscriptions. A very nice copy. Due to the book's size, postage will be a little more than standard.
Publisher: Heinemann, 1898
Condition: Very Good +. Wrapper: No Jacket
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Number 15 of the Ariel poems. With cover design, page boarders and a colour pictorial frontis by Edward Bawden. Thin pamphlet with original yellow paper wrappers. The UK ( paperback) trade issue. The book is tight. Both the back and front covers are bright. The covers are without scratches or blemishes. They show light soiling. The pages are clean, intact and without markings. The closed page edges are clean. The binding is solid - no cracked hinges. No loose pages. There are no previous ownership inscriptions. A very nice copy.
Publisher: Faber & Gwyer, 1928
Condition: Very Good ++. Wrapper: No Jacket ( as Issued )
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Number 6 of the Ariel poems. With cover design and a colour pictorial frontis by John Nash. Thin pamphlet with original red paper wrappers. The UK ( paperback) trade issue. The book is tight and well preserved. Both the back and front covers are bright, unfaded and clean. The pages are clean, intact and without markings. The closed page edges are clean. The binding is solid - no cracked hinges. No loose pages. There are no previous ownership inscriptions. A fresh copy.
Publisher: Faber & Gwyer, 1927
Condition: Fine. Wrapper: No Jacket ( as Issued )
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Roberts, Keith - Kaeti on Tour ( inscribed to Robert Holdstock ) - SIGNED
The trade edition. A bright INSCRIBED UK first edition, first impression. INSCRIBED to fellow SF author, Robert Holdstock.
Wrapper : The wrapper on this copy is bright, unfaded, clean and complete. It is unclipped. Looks sharp.
Book : The book is square and very tight. There are no previous ownership inscriptions. The boards are clean and unfaded, the corners sharp. It shows an hint of trivial bruising to the spine ends. The pages are clean and fresh. The closed page edges show faint flecking. No dog-eared pages. The binding is tight - no cracked hinges. INSCRIBED to the ffep by the author. The inscription reads : To Robert Holdstock, esq. Herewith, hopefully, a few centrally heated PHs to add to your collection. Keith Roberts. September 1992. A very nice copy in a protected wrapper.
Publisher: Sirius Book Company, 1992
Condition: Very Good ++. Wrapper: Near Fine +
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Orange and blue illustrated boards . In a blue cloth covered box. One of 3000 copies - this being copy number 1826. Includes a limited edition photograph by Hunter S. Thompson. Introduction by Johnny Depp and photographs or artwork by Thompson himself, Steve Crist, Annie Leibovitz, and Ralph Steadman. A Fine copy - clean, unfaded, no inscriptions, probably unread - in a fine box. A handsome copy. Please note that this is a very heavy book and postage will be substantially more than standard.
Publisher: AMMO, 2006
Condition: Fine. Wrapper: No Jacket
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Original violet sewn wraps in the original green envelope. Illustrated by Robin Jacques. A Near Fine copy - clean and without ugly creases. Tight binding, no inscriptions - in a Very Good ++ envelope which is very slightly soiled. An attractive copy.
Publisher: Faber, 1954
Condition: Near Fine. Wrapper: No Jacket ( as Issued )
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Bright Facsimile Edition of a title that was first published in 1924. Illustrations by Arthur Rackham.
WRAPPER : The wrapper on this copy is bright, unfaded and complete. It is unclipped. It shows a tiny trace of rubbing at the base of the spine and to the leading edge of the front panel. Looks sharp in protective plastic.
BOOK : The book is square and very tight. There are no previous ownership inscriptions. The boards are clean and bright, the corners are sharp. The pages are clean and bright. No foxing. The closed page edges are unmarked. No dog-eared pages. The binding is solid - no cracked hinges. An attractive copy in a protected wrapper.
Publisher: Godfrey Cave, 1979
Condition: Fine. Wrapper: Near Fine ++
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Pulblished by arrangement with Faber and Profile Books. Limited to 100 numbered copies, housed in a light blue Dubletta cloth slipcase and SIGNED and dated by Alan Bennett before publication. Book deSIGNED by Peter Campbell and set in Adobe Garamond. Printed on Mohawk White Eggshell paper and quarter-bound in blue goatskin by Smith Settle Printing and Bookbinding Ltd, West Yorkshire. This is copy no. of 100. A fine book in a fine slipcase. A handsome copy.
Publisher: London Review Bookshop, 2007
Condition: Fine. Wrapper: No Jacket ( as Issued )
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Total order value
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£25 or more : 3 - 6 working days
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£3.95
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Barthes, Roland - Writing Degree Zero ( uncorrected proof copy )
An uncorrected UK proof ( Advanced Reader's Copy ). This is a bright, clean copy without previous ownership inscriptions. The covers are fresh and unfaded. The spine is solid and intact. The pages and closed page edges are clean. The binding is solid - no cracked hinges or loose pages. The ffep is marked where a publisher's label has detached - the label is still present. This copy comes with a dust wrapper which is gently faded at the spine and, because it is bigger than the proof, is bruised at the upper edges. Uncommon. Given the fragility of proof copies, this is in very nice condition.
Publisher: Jonathan Cape, 1967
Condition: Near Fine +. Wrapper: Very Good ++
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Green cloth stamped in red. Acetate dust jacket. Number 52 of 150 numbered copies. A fine copy - without inscriptions, blemishes or fading in an intact, clean and bright acetate jacket, which has a small ( 1cm ) closed tear at the upper spine corner on the back panel. A handsome book.
Publisher: Cog Press, 1973
Condition: Fine. Wrapper: Near Fine
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A UK first edition, first impression - with a full number line, including the number 1.
Wrapper : The wrapper on this copy is very bright, is unfaded, and is complete. It is unclipped. It shows a hint of trivial bruising to the spine ends and the top edge of the front panel. Looks very sharp.
Book : The book is square and very tight. There are no previous ownership inscriptions. The boards are clean and unfaded, the corners sharp. There is a tiny touch of trivial bruising to the spine ends. The pages and closed page edges are clean and bright. The binding is tight - no cracked hinges. No remainder marks. A fresh copy in a protected wrapper.
Publisher: Viking, 2000
Condition: Near Fine ++. Wrapper: Near Fine
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Twenty-four short stories, set in the English countryside. A facsimile-style reprint of Edward Thomas' Four-and-Twenty Blackbirds, first published by Duckworth in 1915. Softcovers as issued, with an introduction by Richard Emeny ( secretatary of the Edward Thomas Fellowship. A fine copy, clean, no ugly blemishes, tight and without inscriptions.
Publisher: The Cyder Press, 2001
Condition: Fine. Wrapper: No Jacket ( as Issued )
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A UK first edition, first impression - with a complete number string that includes the number 1.
Wrapper : The wrapper on this copy is very bright, is unfaded, and is complete. It is unclipped. Looks very sharp.
Book : The book is square and very tight. There are no previous ownership inscriptions. The covers are clean and unfaded, the corners sharp. The pages and closed page edges are clean and bright. The binding is tight - no cracked hinges. No remainder marks. A handsome copy in a protected wrapper.
Publisher: Faber, 2015
Condition: Fine. Wrapper: Fine
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Wrapper : The wrapper on this copy is very bright, is unfaded, and is complete. It is unclipped. Looks very sharp.
Book : The book is square and very tight. There are no previous ownership inscriptions. The boards are clean and unfaded, the corners sharp. The pages and closed page edges are clean, white and bright. The binding is tight - no cracked hinges. No remainder marks. This copy has been FLAT SIGNED by Michael Connelly ( his usual two squiggles ) to the title page. A very nice copy in a protected wrapper.
Publisher: Little Brown, 2000
Condition: Fine. Wrapper: Fine
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Original maroon cloth, lettered in gilt to the spine. A UK first edition, first impression. No wrapper. The book is clean and tight. The front and back boards are bright and clean, as is the spine. There is a touch of gentle of bruising to the spine ends. The spine lettering is bold. The pages are clean and without foxing. The uncut closed page edges are bright. The binding is tight - no loose pages. There is a bookplate on the front pastedown and a small, contemporary ( 1912 ) ownership inscription at the head of the title page. A better than usual copy.
Publisher: Macmillan, 1910
Condition: Very Good ++. Wrapper: No Jacket
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A volume in Heinemann and the Bodley Head's Collected Edition. With a new introduction by the author. First published in this edition in 1970, this is a 1980 reprint.
WRAPPER : The wrapper on this copy is bright, clean and complete. It is unpriced. The yellow number 4 on the spine has lost some of its lustre. Looks sharp in protective plastic.
BOOK : The book is square and very tight. The boards are clean. The corners are sharp. The pages are very clean. No foxing. The closed page edges are fresh. There are no loose or dog-eared pages. The binding is solid and without cracked hinges. No remainder marks. There are no previous ownership inscriptions. A very nice copy in a protected wrapper.
Publisher: Heinemann / Bodley Head, 1980
Condition: Fine. Wrapper: Very Good++ / Near Fine
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WRAPPER : The wrapper on this copy is bright, clean and complete. It is unclipped. The purple spine is unfaded. It is rubbed at the edges and the back panel is soiled. Looks solid in protective plastic.
BOOK : The book is square and very tight. The boards are clean and unfaded. The corners are sharp. The pages are clean. No foxing. The closed page edges are sound - the top edge is very slightly dusty. There are no loose or dog-eared pages. The binding is solid and without cracked hinges. There are no previous ownership inscriptions. This copy has been SIGNED to the title page and INSCRIBED in the year of publication by Clark to the ffep. Uncommon. A nice copy in a protected wrapper.
Publisher: Dobson, 1972
Condition: Near Fine. Wrapper: Very Good +
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A SIGNED limited edition. One of 1000 SIGNED and numbered copies of volume one of the Soldier Son trilogy. A fine, fresh book without inscriptions or blemishes. Bright text block, tight binding. Housed in a matching slipcase. No remainder marks. An attractive copyPlease note that as this is a heavy item, postage will be a little more than standard.
Publisher: HarperCollins , 2005
Condition: Fine. Wrapper: No Jacket ( as Issued )
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